Toru KOSAKA - StudioEggMan -
Profile
Member of Digital Image and Asia Graphic

Oct-1998: Participated in the "3D Festival" Digital Hall of Fame in Sweden.

Oct-1999: Awarded at the "3D Festival" Digital Hall of Fame.

Mar-2000: The work was shown on Swedish National Television.

Apl-2000: Had work featured in the book "The Art of 3D Computer Animation and Imaging" by the Walt Disney Company and Issac V. Kerlow.

Dec-2001: Participated in the "SUN Project" with 28artists of many nationalities.

Oct-2002: Provided works for the book "Secrets of Award-Winning Digital Artists".

Jul-2003: Works displayed at the exhibit "Asia Graphic 2003, Yokohama at the Red Brick Warehouse".

Oct-2003: Works displayed at the "Asia Graphic Akita", "Creators Night From Sweden With Asia Graphic" and "Sweden Style Young Creators Day" exhibits.

Dec-2003: Participated in the "Japan-China-Korea Cultural Exchange CG Exhibit -2003 Sinograph" in Shanghai.

Mar-2004: Participated in the "Fine Arts of Computer Graphics".

Apl-2004: Featured in the "Car Styling No.160".

Aug-2004: Participated in "SIGGRAPH 2004".

Dec-2004: Participated in "Digital Contents Festa 2004 in Yokohama"

http://www.studioeggman.com


Q&A
- Why use Rhino?

First, Rhino is a tool which I can handle flexible with the sculptured surface. Also, I like the operation smooth and stable, and handling for viewing is very good. And the point is that the price is reasonable. My original works are valued for the refection, Rhino has the several ways of connecting with curved surfaces, and I like very much I can operate Rhino very intuitively.

- Advantage for Using Rhino

I can figure out my idea directly to the designing. The toughness of Rhino is essential for my design creation in which I usually repeat try and error. I can connect with a surface as I like, or make a gradation, as it is just like the image of hand molding. Also, Rhino operates flexibly and smoothly even though I repeat difficult operations.
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